Joe Augustin got what?

It was with shock and horror that I logged in to Facebook for the first time in yonks, to read amongst the hundreds of superpokes and superclittickles that Joe Augustin got fired.

I haven’t listened to radio for so long that I’ve never listened to 91.3FM (the station that fired Joe), much less known about his axing, even much more lesser known about the circumstances surrounding his axing, even though it’s been making waves on the ingterneck and other non-mainstream meejums.

The only inkling I had that something was going down was when a friend in the radio business texted in reply to my asking how things were, that things were “ok, except for upheaval in the radio industry”.

But, yeah. So if you want to listen to Joe Augustin in his new old former revamped radio show, tune in to Power98 (98FM) in the mornings, sit back, relax, and wait for the next upheaval.

Seriously Hossan

My best friend Hossan is going to perform at the Esplanade (again) on the 27th and 28th (and extra show on the 29th because of popular demand) of this month. So, even if you’ve something better to do (which I doubt, because it’s Hossan performing at the Esplanade), get your tickets fast, and book yourself in for a treat.

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Now That You Got It remix feat. Damian Marley

I like Gwen Stefani, and I like Bob Marley. But Bob Marley’s um… not around, so it’s great that Stefani’s new single features one of his many sons, Damian “Junior Gong” Marley. Unlike Bob, Damian’s not a reggae artist. It says on wikipedia that Damian’s musical specialty is “Toasting“, which is the Jamaican style of rapping. That’s quite different from Microwaving, Steaming and Double Boiling, which is the Chinese style of rapping. Or something.

Here’s a 2 minute preview of the single’s music video:

“Now That You Got It” will be released September 17.

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Mr Loh’s national song

Mr Loh

As I rushed to find a wireless hotspot to sit down at and email urgent work to a client, I heard a familiar tune in one of our great city’s many underpasses, and so decided to trace the source.

But when I got to it, the busker had just finished his harmonica rendition of one of the tune. I rummaged through my pocket and produced some money to put in his basket, and said very nicely to him, “Uncle, can play that song one more time?”

“You like that song? OK, short one ah, I play one more time”, he smiled and said:

After he was done, he asked me why I liked that song, and so I explained that I lived in Australia for a period in the 90s.

“So did I”, he said, beaming, “but before you were born, probably”.

Mr Loh then went on to tell me that he went to Sydney in 1962, studied Mechanical Engineering at Sydney University, and moved to Melbourne for a while before returning to Singapore in 1972.

“Hmm… Lee ah? I don’t know any Lees there, but I have many relatives still in Melbourne”, added Mr Loh when I explained that my parents lived in Melbourne for a period during the 50s and 60s too.

“I would love to move there again, I can work there picking fruit in the orchards”, said the lively 73 year old as he checked to make sure his mic and amplifier were turned off.

“But I love doing this. It’s not for the money. You don’t have to give me money, as long as you enjoy my music, and I will play for as long as I am having fun”, he said as he told me about busking three hours a day, five days a week in the same underpass.

Before he packed his harmonica wheeled his basket and amp off home, Mr Loh and I stood in the underpass for another few good minutes, talking about other stuff that I’d like to keep between him and myself because he deserves it.

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